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I personally needed to have my collar bones show, and have certain bones protrude, and Darren made me lose weight, so it was great. The way that they hold their arms and the shoulders are always tucked back and their ribcage is tucked in and a little bit out, I think that really helped the character. There’s one scene where I direct Natalie [Portman]’s character and I don’t know why, but I thought reading the script that would be some kind of a dancing scene. So, I’d seen him work with the dancers and he was really close to what I’m doing in the movie. So, did you find that dancers and actors are different breeds? Actors constantly think that for every part there’s something different they can do. A dancer, I think, truly ends their career trying to achieve something that’s possible.
But I’ve seen Mikhail Baryshnikov directing a young dancer and he wasn’t moving at all. So, when we got on the set, we got into that vibe where the dancing wasn’t really required. It looked more like an ex-dancer than if I could prove I could spin around and stuff. Meaning that he was a real jerk with dancers, but only to get them where he wanted them to go. I think they’re both incredibly disciplined, but I’ve never met anyone as disciplined as a dancer, ever. I think that’s a testament to their work ethic and their discipline.
When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends.
Henry’s unpictured father is the even Jewier Darren Aronofsky, Weisz’s former fiancé, and director of a documentary about what goes on in the repurposed Hebrew school classroom where everyone has to get dressed for the spring ballet recital at the JCC. His stepfather, pictured here coolly expressionless in his mirrored aviator shades and open-necked shirt, is Daniel Craig.